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Dr. Martens 1460 8-Eye Glitter Boot - Girls Little Kid / Big Kid

Dr. Martens 1460 8-Eye Glitter Boot - Girls Little Kid / Big Kid
Dr. Martens 1460 8-Eye Glitter Boot - Girls Little Kid / Big Kid
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Dr. Martens 1460 8-Eye Glitter Boot - Girls Little Kid / Big Kid
Style #: 1573144
Black
$59.99
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Serving up instant style, the new 1460 8-Eye Glitter Boot from Dr. Martens is the perfect staple for her awesome wardrobe! The 1460 8-Eye Glitter Boot features high-shine leather uppers with a glitter finish and signature Dr. Martens air-cushioned sole for all-day comfort and support.

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  • Glittery leather upper with shiny coating and breathable mesh lining
  • Lace closure for a secure fit
  • Easy side zipper for hassle-free on and off
  • Classic single-stitched welt construction ensures durability
  • Signature air-cushioned sole absorbs shock and provides support
  • Slip-resistant rubber outsole

When the Dr. Martens boot first catapulted from a working-class essential to a countercultural icon back in the 1960s, the world was pre-internet, pre-MTV, pre-CD, pre-mp3s, pre-mobile phones… hey, they’d only just invented the teenager. In the years before the boot’s birthday, April 1, 1960; kids just looked like tribute acts to their parents, younger but the same. Rebellion was only just on the agenda for some - for most kids of the day, starved of music, fashion, art and choice, it was not even an option. But then an unlikely union of two kindred spirits in distinctly different countries ignited a phenomenon.

In Munich, Germany, Dr. Klaus Maertens had a garage full of inventions, including a shoe sole almost literally made of air; in Northampton, England, the Griggs family had a history of making quality footwear and their heads were full of ideas. They met, like a classic band audition, through an advert in the classified pages of a magazine. A marriage was born, an icon conceived of innovation and self-expression.

Together they took risks.

They jointly created a boot that defined comfort but was practical, hard-wearing and a design classic. At first, like some viral infection, the so-called 1460 stooped near to the ground, kept a low profile, a quiet revolution. But then something incredible started to happen. The postmen, factory workers and transport unions who had initially bought the boot by the thousand, were joined by rejects, outcasts and rebels from the fringes of society. 

At first, it was the working-classes; before long it was the masses.

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