Dr. Martens 1460 Autumn Floral Embroidery Boot - Little Kid / Big Kid - Black
Dr. Martens 1460 Autumn Floral Embroidery Boot - Little Kid / Big Kid - Black
$79.99

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Dr. Martens 1460 Autumn Floral Embroidery Boot - Little Kid / Big Kid - Black

$79.99

Classic Docs style blooms with the Dr. Martens 1460 Autumn Floral Embroidery Boot. Crafted with durable T Lamper leather, this standout boot features colorful autumn-inspired floral embroidery, antique gold hardware, and signature Dr. Martens attitude. A convenient side zipper makes it easy to get on and off, while the iconic silhouette is ready for every adventure.
  • Leather upper made with T Lamper, a PU-coated casual leather with a subtle grain print
  • Autumn-inspired floral embroidery adds colorful seasonal style
  • Classic lace-up closure with convenient side zipper for easy on and off
  • Flexible outsole delivers durable traction
Style ID: 1573316

When the Dr. Martens boot first catapulted from a working-class essential to a countercultural icon back in the 1960s, the world was pre-internet, pre-MTV, pre-CD, pre-mp3s, pre-mobile phones… hey, they’d only just invented the teenager. In the years before the boot’s birthday, April 1, 1960; kids just looked like tribute acts to their parents, younger but the same. Rebellion was only just on the agenda for some - for most kids of the day, starved of music, fashion, art and choice, it was not even an option. But then an unlikely union of two kindred spirits in distinctly different countries ignited a phenomenon.

In Munich, Germany, Dr. Klaus Maertens had a garage full of inventions, including a shoe sole almost literally made of air; in Northampton, England, the Griggs family had a history of making quality footwear and their heads were full of ideas. They met, like a classic band audition, through an advert in the classified pages of a magazine. A marriage was born, an icon conceived of innovation and self-expression.

Together they took risks.

They jointly created a boot that defined comfort but was practical, hard-wearing and a design classic. At first, like some viral infection, the so-called 1460 stooped near to the ground, kept a low profile, a quiet revolution. But then something incredible started to happen. The postmen, factory workers and transport unions who had initially bought the boot by the thousand, were joined by rejects, outcasts and rebels from the fringes of society. 

At first, it was the working-classes; before long it was the masses.

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