Dr. Martens 1460 Glitter & Flower Applique 8-Eye Boot - Toddler - Black
Dr. Martens 1460 Glitter & Flower Applique 8-Eye Boot - Toddler - Black

3 Colors Available:

Dr. Martens 1460 Glitter & Flower Applique 8-Eye Boot - Toddler - Black


Take a garden stroll in style this season with the 1460 Glitter & Flower Applique 8-Eye Boot from Dr. Martens! These classic 1460s are made with Coated Glitter faux leather and feature playful floral appliques and a cemented air-cushioned sole for durability and traction. Available online at JourneysKidz.com!


Please note: This product cannot be shipped to APO/FPO locations, Hawaii, or Alaska.

Color: Black
Style ID: 99573290
  • Durable leather upper made with Coated Glitter, a synthetic leather with a sparkly glitter finish that has a clear coating to prevent glitter loss
  • Floral applique made with Athena, a smooth PU-coated leather with a matte finish
  • Soft textile lining
  • Classic heel pull loop
  • 8-eye lace closure offers a secure fit
  • Side zipper closure for hassle-free on and off
  • Cushioned footbed provides lasting comfort
  • Cemented sole construction with signature yellow welt stitching
  • Air-cushioned PVC outsole delivers premium traction

When the Dr. Martens boot first catapulted from a working-class essential to a countercultural icon back in the 1960s, the world was pre-internet, pre-MTV, pre-CD, pre-mp3s, pre-mobile phones… hey, they’d only just invented the teenager. In the years before the boot’s birthday, April 1, 1960; kids just looked like tribute acts to their parents, younger but the same. Rebellion was only just on the agenda for some - for most kids of the day, starved of music, fashion, art and choice, it was not even an option. But then an unlikely union of two kindred spirits in distinctly different countries ignited a phenomenon.

In Munich, Germany, Dr. Klaus Maertens had a garage full of inventions, including a shoe sole almost literally made of air; in Northampton, England, the Griggs family had a history of making quality footwear and their heads were full of ideas. They met, like a classic band audition, through an advert in the classified pages of a magazine. A marriage was born, an icon conceived of innovation and self-expression.

Together they took risks.

They jointly created a boot that defined comfort but was practical, hard-wearing and a design classic. At first, like some viral infection, the so-called 1460 stooped near to the ground, kept a low profile, a quiet revolution. But then something incredible started to happen. The postmen, factory workers and transport unions who had initially bought the boot by the thousand, were joined by rejects, outcasts and rebels from the fringes of society. 

At first, it was the working-classes; before long it was the masses.

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