Womens Dr. Martens x Wednesday Elphie II Ballet Flat - Black
Womens Dr. Martens x Wednesday Elphie II Ballet Flat - Black
$149.99

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2 Colors Available:

Womens Dr. Martens x Wednesday Elphie II Ballet Flat - Black

$149.99
Find your dark side in the new Dr. Martens x Wednesday Elphie II Ballet Flat! The latest in the delightfully macabre Wednesday collection, this classic ballet flat features supple leather uppers, signature Goodyear® welted sole, and stripes and cross-stitch accents for extra goth flair. Available online at Journeys.com!

ORDER IN YOUR NORMAL US SIZES
Color: Black
Style ID: 570075
  • Soft leather upper made with tonal stripes and cross-stitch details
  • Ballet style wrap
  • Cushioned footbed provides lasting comfort
  • Goodyear® welt heat seals and sews the upper and sole together, providing enhanced durability
  • Air-cushioned PVC outsole delivers premium traction
  • Ballerina-inspired pointed toe design

When the Dr. Martens boot first catapulted from a working-class essential to a countercultural icon back in the 1960s, the world was pre-internet, pre-MTV, pre-CD, pre-mp3s, pre-mobile phones… hey, they’d only just invented the teenager. In the years before the boot’s birthday, April 1, 1960; kids just looked like tribute acts to their parents, younger but the same. Rebellion was only just on the agenda for some - for most kids of the day, starved of music, fashion, art and choice, it was not even an option. But then an unlikely union of two kindred spirits in distinctly different countries ignited a phenomenon.

In Munich, Germany, Dr. Klaus Maertens had a garage full of inventions, including a shoe sole almost literally made of air; in Northampton, England, the Griggs family had a history of making quality footwear and their heads were full of ideas. They met, like a classic band audition, through an advert in the classified pages of a magazine. A marriage was born, an icon conceived of innovation and self-expression.

Together they took risks.

They jointly created a boot that defined comfort but was practical, hard-wearing and a design classic. At first, like some viral infection, the so-called 1460 stooped near to the ground, kept a low profile, a quiet revolution. But then something incredible started to happen. The postmen, factory workers and transport unions who had initially bought the boot by the thousand, were joined by rejects, outcasts and rebels from the fringes of society. 

At first, it was the working-classes; before long it was the masses.

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